Archive for the ‘Writing’ Category
I’m totally grateful I have a job that allows me to work from home. Really. I. Am. As it is, we used a cooperative workspace pre-COVID and all of our files are in the cloud, as is our software, so we’re fluid to begin with. We’re not tied to one place or server. That makes it so easy for us to access whatever we need, create new documents and do all sorts of neat stuff. Wherever I am, I’m usually writing or researching for hours on end. All those words add up to a bunch of sentences that forge into paragraphs and before you know it, there’s a whole document just waiting to be edited by my boss.
When 9:00 am strikes, there I am at my kitchen table, checking the email and social media messages. Usually by 10:00 am I start on my assignments for the day. And when 5:00 pm hits, I’m often in the middle of something so I keep at it until I finish. By then, my eyes are incredibly bleary and dry from staring at a blue-lit screen. So when the evening rolls around, my eyes are too gorped up to write anything. Besides, my creative well’s pretty dried up then, too.
Even writing this blog presents its challenges. Sure, I’ve got plenty to say but no ambition to say it. I really, REALLY hate this whole COVID thing. It’s thrown a monkey wrench into my plans. My Twitter feed is loaded with writers who’re meeting and exceeding all sorts of goals. If I included the number of words I put down daily, I’d beat them all.
Unfortunately, only a select audience reads grant proposals, press releases, blast emails and social media posts. So far as I know, there’s no real story arcs or plot twists in letting the world know my place of employment is hosting a virtual event on Zoom, and in the accompanying press release I’ve sent off to the media to announce it. Although, there is something to be said about the nail-biting, stress-inducing grant proposal…but only after it’s been sent off to the foundation or government agency offering it.
Today’s gorgeous. So was yesterday. Thought I might sit outside and have a cup of something and maybe write some. Within a half-hour, my lungs betrayed me. Damn asthma! Damn pollen! I’m on an inhaler but it only goes so far. It also doesn’t help that the unending roar of motorcycles streaming through my town destroys my concentration, although I’m getting better at ignoring them.
Here I am, in the lower Hudson Valley, and we have so many COVID cases with its share of sorrowful deaths, yet few seem to be paying attention. I took a brief drive yesterday so that my poor car can have its engine kept in shape and I can go someplace in a protective bubble without worrying I’m going to catch anything. Thousands of people were on the road – no lie – and squeezed between all those vehicles were an equal amount of motorcycles. Then those riders hopped off and stood in groups, close, no masks. As I drove through a few towns, loads of people, also maskless, stood around and gathered, no social distancing between them, chatting away as if this was last year.
My town is one of those places that fills up with city people on the weekends and the summer, so it’s no surprise that we have our fair share of COVID cases in town. Even today, people are out in droves, chatting, walking, no social distancing. I really can’t blame people for a little freedom from their homes and worries. But seriously, folks, use a little caution!
Fed up with just about everything, I decided to risk something myself yesterday. I ordered takeout from a restaurant just across the way. I ate there often when things were normal, as they’re good, close and affordable. The last time I ordered from them was March. A day later, on my Facebook page, some well-meaning friend posted a story about how risky it was to order takeout, how one should remove the meal from the bag and cartons and the proper way to disinfect one’s home and self upon placing said meal on your own plate, and to NEVER eat from the original container. I freaked out so much after reading that I swore I’d never do that again. But eating one’s own cooking for too long causes its own level of agitation, so I threw caution to the wind and enjoyed a nice serving of meatloaf, fresh mixed vegetables (not frozen or canned) and a healthy pile of mashed potatoes with gravy. Even went so far as to order a slice of cheesecake that was amazingly delicious. I felt better instantly.
So here I sit now, writing this blog and after I publish it, will go back to my edits for my book that my agent has surely forgotten that I’ve written. My sister has helped me out a great deal trying to get my story into excellent shape. I think about returning to it often, but just can’t get into it for whatever reason. Yet the story lives on in my head, and the characters are beating me up trying to get on with their plots and storylines. I owe it to them to breathe life back into them, and maybe too, my life as a writer.
Stay safe and inspired, friends.
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Me, having a Mary Tyler Moore moment at the entrance of NYCC 19
So yeah, I went to another New York Comic Con this year. As usual, it was quite the spectacle of costumes, chaos and crowds. I tried going on a Friday this year instead of a Saturday, naively thinking it’d be less attended. It wasn’t. Sheer ridiculousness. But in a good way. Was a bit different this year, though, because I came without my son. He recently joined the Navy, passed boot camp and all that. Missed him, but made him feel a bit less left out by purchasing three “The Walking Dead” graphic novels for his enjoyment. Needless to say, the sting of not being able to attend was lessened a tad.
Horrible backwards selfie, but who cares? I’m in!
I’m always a bit nervous before I enter NYCC. Will my badge show up as validated? Will I be mistaken for a Changeling and morph into something regrettable? Will my ticket fall out of my bag onto the sidewalk and be snatched up by Sephiroth? But make it through I do, in one piece, despite shuffling through the enormous wedge of humanity struggling to slip through the main gate entrance booths.
Shortly after I arrived, I met up with my friends Arwen and Aragorn. We toured the Jacob Javitz center in search of Funko Pop versions of themselves.
A royal pair and their handler
I felt kind of important shuffling around with Arwen and Aragorn. Every five seconds they’d be politely pulled over and asked if their photos could be taken. And they graciously obliged.
We went downstairs in the Artist’s Alley, usually less crowded and filled with amazing art from artists whose illustrations fill the pages of famous graphic novels and classic comics. But not today. We gave up after about twenty minutes, quite unable to even get close to any tables to admire their work, except for a female artist whose name I neglected to remember. Her gig was propaganda posters using classic Star Wars characters – you know, Princess Leia, Han Solo, Luke Skywalker and their ilk. Very nearly purchased one but couldn’t see myself shambling through the crowds carrying one of her pieces without it getting destroyed, even if it was in a carrier.
But I love graphic novels. That’s my thing. I head over to the area where they’re all situated. I can’t seem to find my old pals from Man Vs. Rock, mainly because it’s so crowded and they aren’t in their usual place (sorry guys! I promise to find you next year!), but I do find Oliver Mertz from First Law of Mad Science. The same thing happened last year with him – it was so unimaginably crowded last year that I missed his booth. So I made up for it by buying everything up that I didn’t get to do last year. The artist and partner in this venture was also in attendance, Michael S. Bracco.
Oliver Mertz, new father and proud purveyor of his work
I wind up buying several back issues to catch me up on this wonderful series. I also add to it a T-shirt that reads, “Don’t blame me, I’m the writer.” I’ve already worn it a bunch of times.
Somewhere in the massive crowds, I spot Dark Horse Publications. OH MY GOD, DO I SEE …NO…IT CAN’T BE…IS IT?
The comic that guided me through my twenties
There’s a huge banner with one of my all-time favorite comic characters, The Flaming Carrot. I rush up to a booth attendant, pointing to the banner. “Where is that book?” I spurt out, heart all aflutter. He points to a bookcase across the way and I rush for it. I hold it in my hands, turning the pages slowly. All the wonderful memories of this lovingly stupid but heroically brave carrot come racing back. As I pay for it, the booth attendant says, “Yeah, you just missed him by about ten minutes. Bob’s a great guy. He would’ve autographed it for you.” Oh don’t tell me that. Gosh, I feel a bit disappointed but heartwarmed because this treasure from my twenties rests in the back of my backpack. I later devour it on the train.
I also pick up a couple of copies of Paper Girls, a wonderful series about twelve-year-old paper delivery girls in 1988 who get caught up in a time warp of sorts – two warring factions from the future show up the day after Halloween just as the girls are delivering their papers. I heard it’s now going to become a television series. Can’t wait!
But what’s a Comic Con without costumes? Unfortunately, I don’t have a lot of great shots to share this year, mainly because I was struggling to get around. But I did take a couple.
Kaonashi, AKA No-Face, chronicled on phone by fan
If you haven’t seen the rather creepy Japanese animated film, Spirited Away, well, perhaps you should…or shouldn’t…based on this image and extremely well executed costume. Kaonashi is bound to create nightmares.
And what’s a Comic Con without a swarm of Spidey?
Web of intrigue? Or a bunch of people without imaginations or resources?
I must admit I was a bit disappointed this year. There wasn’t any real banging exhibitions that’d capture my imagination. In 2017, there was a terrific curated exhibition for Star Wars (and I blogged about it). Also, The Tick and his vehicle came that year, plus so much other things to see. But this year? Sure, there’s the usual video game corrals with the million mile line. And the authors who charge $100 for an autograph. There are panels that are quite public and others that you can’t get into because the line is from here to Texas. But it’s so crowded and there didn’t seem to be any visitor-friendly exhibitions for the past two years. There’s a lot to take in, and I’m glad the event is so successful. I do support it, but maybe next year I’m going to try for a Thursday, which seems to be the slowest of all. They were practically begging people to buy tickets for that day, although a friend of mine who went said it was kind of busy.
After hours of barely managing to see all that we came to see, Arwen and Aragorn were getting mighty hot wandering around in those heavy robes, and my back began to kill me after toting around fifty pounds of graphic novels. We struggled to find the exit, although we kept stumbling into loads of entrances. Along the way, we ran into literally dozens of Spidermen/people, who gathered together for a show of kinship.
Finally, just before the event ended, we called it a day. I had a great time as usual, although this blog can’t even begin to touch upon all that I experienced. The photos don’t do it justice either, but if I wrote about every single thing, including the overpriced food and standing in enormous lines for the toilet, this blog would never end.
So I leave you to enjoy what little I’ve written, and hope to bring you much more next year!
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Since I write speculative science fiction with strong female protagonists, I’d thought I’d spend this summer reading female sci-fi writers writing books with strong female protagonists. You know, to see how they do it. Maybe I can pick up a few tips here and there.
So what’s in the pile?
All of Elizabeth Moon’s “Vatta’s War” series. I accidentally picked up the fourth book in the series, “Command Decision,” not realizing it was a later entry in the storyline when I bought it. I read it anyway. Sure, I didn’t get some references but it didn’t stop me from thoroughly enjoying it. I’ve got four other titles to read so I know what’s going on. Then after that, Ms. Moon added “Vatta’s Peace” to the collection. I’m looking forward to adding that to the list as well.
Last winter, as I sat on the examination table waiting for my doctor to see me, I occupied myself by reading “Command Decision.” The doctor walked in and noticed the book. He immediately pulled it from my hands and said, “This series IS AMAZING! So what did you think of the others?” That’s when I admitted I hadn’t read them. He then goes on telling me the plot lines, characters’ foibles and a few spoilers. While I enjoyed his hearty endorsement of the series, I fortunately forgot most of what he said. I’d love to find out for myself what dangerous situations Kylara Vatta has to dig her way through.
Octavia E. Butler, “Parable of the Sower,” “Parable of the Talents,” and “Kindred.” Oh, wow. This writer has me gobsmacked. No wonder she was the recipient of a MacArthur Fellowship and two-time winner of both the Hugo and Nebula awards. Not only is her prose wonderful, her stories will leave you on the edge of your seat. One can never be certain about anything in her worlds. Twists aplenty. Beloved characters die. In her worlds, nothing is certain except uncertainty.
I read “Parable of the Sower” first. Butler predicted the present measles epidemic when it was written in 1993. In “Parable of the Talents,” she predicts a Trump-like character who runs and wins the office of president, and the ensuing rise of racism and rabid Christians wreaking havoc on an already fragile America.
Butler’s foresight all those years ago gave me chills. I’ve actually put sticky notes in the pages where her words ring close to true. But my favorite is the sayings she created in the books, and one in particular:
“All that you change, changes you.”
Right now I’ve begun “Kindred.” I’ve only read the first chapter and the range of detail and emotions she conveys has me hooked.
My sister teaches college. Her school offers a course on Octavia E. Butler’s literature. I only wish I lived nearby. I’d audit the class!
Happy Summer Reading, Folks!
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It’s been roughly a year since I’ve written in this blog. There’s a reason for that, actually. And it’s as vast as the Newfoundland wilderness, as pictured above.
I’ve been thrusting all my efforts into completing my book edits, rewrites, corrections, updates and such things one does to get a manuscript off to my agent. It took a lot more time than I ever thought it would. Truly.
The story is tech-heavy. Every time I thought I had something fresh and new, my take on whatever technology I included in my story seemed old and antiquated with each revision. So I wound up taking great chances on what finally ended up in there. God, I hope what I created sounds plausible and not stupid…
My agent received the manuscript two days before Christmas. Then I took a sorely-needed break. Turned my attentions elsewhere. Read two wonderful novels I should’ve read long ago: All the Birds in the Sky by Charlie Jane Anders and Walkaway by Cory Doctorow. Plus I read a series I’d been meaning to get to: Elizabeth Moon’s Vatta’s War series. So all of that kept me quite busy.
Reading after writing is like a wonderful spa visit. I immerse myself deep into another writer’s prose, drinking it in like a gulp of fresh mountain air. It’s resetting my imagination. I enjoy seeing how others put words to good use, to describe things in other ways, to invent new realities.
And after I turn that last page and finish the book, I feel a sense of regret. Of saying goodbye. Letting my new friends go and continue on with their lives without me. Because you know those characters will.
Maybe that’s why I chose to write a series. I’ve started the second book now. Figured it was a good time to do so, now that my agent has the first.
To tell you the truth, I got a little sick with my characters. I visited them so often I’m sure they got fed up with my prying into their activities daily. And just when they thought I’d leave them alone once and for all, I rewrote a scene. Or ten. Ripped out their old dialogue and inserted fresh.
Now, my characters move forward, onto new adventures. Face staggering challenges! Question their place in the order of things. Will they make it? Or will they succumb to a deadly nightmare?
Truth be told, I know how the second book in the series starts, ends and gets to the middle, but I’m fishing around for plot movement right about now. I’ve got plot holes that’ll rival black holes right now. And when I do, I take a break and visit posts from NASA, ISS, JPL and Emergency Kittens on Twitter.
But it’s my goal to continue up with this blog. It’s nice to have a diversion apart from writing my book. I missed posting it and promised myself I’d do it every week…but never did. So I will.
I hope you’ll follow along in my few adventures in writing, as well as my musings including the moon, stars and beyond.
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Once again, I find myself at a loss for words.
I sit in front of the computer, unable to move forward with any discernible thoughts. It’s not as if I have writer’s block. It’s worse. I can’t explain why I’ve lost my ability to create.
My brain begs to differ. All inside of my head there’s a rambling of ideas and plot lines. As I work, I resolve my characters head-hopping ways and force them to tell a story from only one side’s perspective. I’ve figured out how to end that book of mine so that any reader will gasp and say, “OMG! WTF!!” But when I actually open the files and attempt to take on the edits I need to do so I can once and for all submit the book to my agent…no words come calling.
My spirit isn’t up to the task. I can’t even manage to keep up this blog, which I used to write twice a week. Now if I manage two entries a month, it’s an achievement.
You see, I’ve had some significant life changes. The loss of both my parents, my marriage and my career in an 18-month span all added up. Writing lessened the sting. This blog, plus my book, kept me going during the darkest hours. I have a friend who lost his father in a tragic accident and his balm for dealing with his unbearable pain was writing. He encouraged me to keep at it. I did, and it helped. Some of my best stuff happened after pushing back tears and willing myself to concentrate. Use that emotion somewhere, I thought, and as I dug down, I felt the sharp sting my characters faced during a conflict. And as my sister will tell you, that’s where and when my best writing occurred.
Then something odd happened when I moved out of my former home to a new town and began a solo life once more: much as I wanted to, I couldn’t write. Anything.
For fifteen years I lived in a house with my husband and son. Our lives revolved around each other, no matter how awful things turned, and while things grew odd and often painful, that house still was my home. Then I moved out and lived alone. That didn’t bother or frighten me, it’s just how my life panned out and I accepted it. As mentioned in my last blog, I pulled out my computer and resolved to write again. As much as I’d will myself to, those damn words refused to cooperate. There’s only so long one can stare at a screen and not get bug-eyed, especially if there’s no reward for the effort. So I’d give up and feel worse than before.
One afternoon, having the day off from the retail job I took to survive, I regarded a chair from my mother’s former bedroom. She’d had it reupholstered in ecru, with a delicate floral pattern tangled in the weave. Mom set it in the corner next to her dresser. She never sat in it. As she approached the end of her run, that chair provided an excellent substitute for her closet. The same shirts and pants she wore day in and out rested on its back and seat. Now it sits in my living room next to the fireplace. I ran my hand across the top, smiled and thought of her. I sat down in it, leaned back and stared out at nothing in particular. My mind emptied.
And there I remained, for over an hour, paralyzed.
When I finally snapped out of it, I grew frightened. What’s happening to me? I thought. A tsunami overwhelmed my brain. All that I’d been through, all the loss, the pain, the hurt, betrayal, all of it, consumed me. I gasped for air, sobbing, still in that chair. Is Mom in this chair with me? Is she making me feel this way? Am I cracking up? How did I get like this? What’s wrong with me?
See, I’d been muddling through for so long I’ve never had much opportunity for grieving over all I’ve lost. But in that moment in a chair that never had much use, it handed me a big dose of pain. The tears dried up, as they will, only to be replaced by numbness I’d never felt before. My eyes closed. Sank my head in my hands. Felt my heart race and ring in my ears.
And again, yet another hour drifted passed, without notice.
Finally, I pulled myself up and out of the chair. This is no way to be. The sun shone through the venetian blinds. A thick carpet of leaves swirled in the breeze on my lawn. A noisy truck roared down the main street. Dogs barked. Life continued in my new hometown, unafraid, normal, as it should be. I glanced out the window and noticed the ruddy shade of the mountains that ring the town. It’d grown late in the day and sunset approached. I could have written this afternoon…why didn’t I?
I’ve beaten myself up too much as of late. That book of mine will be completed. Soon. But I’ve got to reclaim my ability first. And rather than overwhelm myself with what I need to do, I convinced myself I’ll start small, a little bit each day, and write anything, even if it’s once sentence. I can tweet, I can comment on Facebook, I can keep a blog.
It’s writing. It’s a start.
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Moving Day ~ 1955 North American Van Lines ad, Roger Wilkerson, artist
Here we see a happy, cheerful event, perhaps a turning point in this 1950s perfect version of setting up home in a nice, shiny suburb. The movers, meticulously dressed in sharp, crisp uniforms, shift this family’s worldly goods from the immaculate truck into, one presumes, an immaculate house. A perky puppy leaps near the cute kid’s trike as Mom beams her approval. Smart move! she’s thinking, Now, what box did I pack the scotch in…
In the real world, moving is no such thing as presented above. I should know – I’ve just moved. On top of that I downsized. Who needs all that space when you can streamline life down a few more boxes than a college dorm graduate?
My belongings originated from several destinations: a storage space miles from my new home, plus the stuff I was dragging my former house. I selected some pieces from my parents’ house (would you leave behind the Danish modern meets American Southwest bedroom set? Or the glass lamp with the faded lemons on the inside? I think not) brought more from my last house and wedded the two in domestic bliss.
Since I always need to write, my desk and computer get first dibs on placement and setup. Trouble was, I pulled out all of the wires and neglected to individually wrap/identify each. A spaghetti pile of cables defied my will as I labored to separate them and identify their purpose. My brain scrambled. Now what does this go to again? After a while, I sorted and connected, but not without a gourmet selection of unprintable words.
And even though staring at my computer allows me to feel somewhat normal, a partial turn of my chair reminds me of how much I have yet to do. Sure, I took the worse of my boxes and shoved them in the basement. It’s easy. There they’ll stay, until that next spurt of boundless energy springs forth, oh, let’s say, in 2025. Do I really need that stuff anyway?
What I need is to write. I have a whole host of line editing to do for my book, plus this blog, as well as other pieces and bits I’ve promised to do. While I might be frustrated, I’d be worse if I didn’t have my instrument of creativity available. So please excuse me while I return to my most important task at hand: ignoring the boxes while I figure out how I’m going to make my unpublished work a runaway bestseller.
Now, where was I again? Ah yes, Chapter three…
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How odd the screen looks when you take a picture of it with an iPhone…
It’s come down to this: either I buck up and face the monumental editing task that awaits me, or give up being a writer.
I’ve been shopping around this novel series a bit when, not surprisingly, I’ve been turned down. Yeah, yeah, rejection is inevitable. I ain’t crying about that. It’s part of it. Busting your cherry in the publishing world. One can’t call themselves a writer if they’ve never been rejected at least a hundred times, right?
But after I’ve been subjected to line editing…well, I’m a bit awed that my grasp of the English language seems tenuous at best.
See, for years I’ve been a copywriter. I’ve created pamphlets with the best of them. Wrote web content. Magazine articles. Radio scripts. Flyers. Really, anything that needed describing for a demographic, I did it. Always kept strict adherence to my grammar. Rarely use an Oxford comma or dangling participle. It was this ability to write, coupled with my vivid imagination, that goaded me into writing. And yeah, the story I came up with’s brilliant.
The way I tell it…let’s say it’s a work in progress.
Everyone needs a good editor to make work shine. Hey, diamonds aren’t anything to brag about when you yank them from the earth. Takes a lot of refinement before someone at the local chain store decides it’s the one for the hon. And sometimes a writer gets too close to his or her work. Can’t see errors. I bet if you pressed your face right up to the Mona Lisa, all you’d see is a glob (or the hand of the armed security guards ready to haul you off). You’ve read your work so many times even your characters are sick of invading their turf.
I asked a seasoned, published writer (in this case, my sister Gwen) if she wouldn’t mind reading my book. Since she has an MFA in creative writing and is a college professor, I figured why not. 2,454 comments later, she provided me with all of the details of what makes my book not exactly the novel it can be. While she agreed the story was compelling, the massive instances of head-hopping, substituting internal dialogue for first person singular, thin descriptions of locations or purpose of plot, amongst other things, she pretty much said I needed to go back to the drawing board, but this time with guidelines.
That’s a lot to absorb. Many writers would find all those comments intimidating or insulting. Not me. If I ever want my book to see the light of day, I’m getting to work.
Right after I come home from New York Comic Con this Saturday. I promise!
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I’ve lost track the amount of times I’ve rewritten passages in my manuscript. I slave, I toil, I backspace…only to create something that’s not quite there, yet. It’s as if I’m skipping through daisies, only to fall in a wet, steaming pile of cow plop.
Ugh. I know.
Beta readers all love my story. An actual librarian thought it was terrific. So did an editor. Even someone working in a related industry praised my work. Talk about confidence building. Surely my words are all that…
…or not.
For a great perspective, compare sending out your manuscript to dating. There’s this terrific person, filled with depth and action, with a healthy splattering of romance tucked inside, seeking to meet that perfect partner. After meticulous grooming, advice from friends and lively rehearsals in front of the bathroom mirror, it’s time to face the scene. Step out and seek. Shake a few hands, make introductions, even sip cocktails. Hearts beat faster, breath quickens, a few beads of sweat pearl up around the hairline. A card is passed along, hopeful wishes and tempered optimism dare blossom in one’s heart.
Days pass.
Nothing occurs, not even a text.
Your worst fears are realized, in the form of rejection. It might be that your hopes drowned in a vast pit of slush piles, or forgotten email attachments, or ignored – ghosted – and forgotten. It’s as if that spiffy new dress or snappy hairstyle did nothing to convince Mr./Ms./Mx. Prospect you’re perfect. Great, even.
So what was it you did? What did I say? Or not say? Or do? In the dark of the night, as you ponder for the billionth time, nerves fray and frustration builds. Your abilities feel as if they’ve drifted out to space.
Some might even give up altogether.
Well, look. No one’s perfect. Not even geniuses get it right on the first try.
Sometimes a writer gets too close to the manuscript and perspective skews. Or too many people have said too many contrasting things and you, the writer, can’t figure out what to do any more. The story’s muddled, the characters are unlikable, the plot’s unrealistic, the dialogue’s way too formal.
So here’s a suggestion: seek professional advice.
I’m not saying go out and find a book doctor. Sure, they might help put your story back on track, but they’re expensive and offer no guarantees.
Instead, seek out an honest-to-goodness writer’s group. There are many, but not all have professional writers with published works at major houses (and before you say anything, self-publishing doesn’t always count). Attend workshops they hold. There, you’ll be shown how to strengthen your skills on a variety of topics, from developing compelling characters, shoring up a sagging middle or crafting a dynamic opening line. See if they have a critiquing group where your work can get an honest evaluation. Maybe even a member might be willing to give your manuscript a thorough review. Tell you all about the rough passages and plot lines.
Writer’s groups often meet at libraries, book stores or other public places. Next time you venture into one of these places, don’t hesitate to ask.
Search the web for writers’ conferences. There are many, but legitimate writer’s conferences don’t charge thousands of dollars and promise that your book will be published. A typical writer’s conference will be held in a hotel, with representatives from industry leaders, such as literary agencies and publishers. There’s a roster of known authors attending who’ll give workshops on skill development.
Here’s a great place to start: Publishing and Other Forms of Insanity. It’s a terrific blog filled with all sorts of links, contacts, industry news and conferences. Bookmark it. Check it often.
And most important of all, have faith. After slogging through all those rough passages, you might just discover how to sail through smooth seas. Besides, you never know…you might meet a great date!
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Credit: 1st edition of John Jakes’ novel The Asylum World (1969)
If ever there were a time for rejuvenation, this was it.
Philippa gazed at herself in the mirror. Twelve years on and she still managed to cling to the hope that her youth was endless. The evidence, reflected before her, proved otherwise.
But something deep within her began to change. She struggled to make sense of it.
A boring ex-wife, doomed to a midlife divorce and a minimum wage job. No hopes, no dreams, no anything. Each day she arose confirming this self-inventory, and every night she struggled to sleep, haunted by her personal truths.
But today, she noticed something not visible: her memory. She recognized the face in the mirror, but not its purpose. Philippa’s hands traced the contours of her cheeks, her neck, even pinching the flesh to examine its authenticity. Nothing. She turned away and walked the interior of her home seeking clues, feeling reassured that her mother’s artwork hung from the walls, last night’s leftovers expected to become today’s lunch, and Sunday’s crossword needed a few more clues to be solved.
What changed?
She opened a small drawer in her nightstand. Crumpled behind the junk that naturally accumulates within it hid a piece of paper. She unfolded it and read it out:
My Testimony
Be it said by me, Philippa Jrzowski, that no longer shall I exist. Instead, my soul will be inhabited by unknowns. My thoughts shall be those of indeterminate usefulness. I shall wrest whatever I can from what ever I become, if for no other reason than to live. And I mean, LIVE.
Enough, thought Philippa, enough. She smoothed out the paper and lay it on the comforter.
She returned to the mirror, gazing hard at the image before her. This time, however, a woman appeared more fierce than before. Philippa reached towards it and clutched its edges, bringing it closer, blurring her focus. She smiled.
“Exactly,” said Philippa. “And now, I mean to do just that.”
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A recent New York Times article discusses how theories first put forth in science fiction might provide a few insights on how to curb global warming. Despite the naysayers and deniers, with each passing Storm of the Century and inundating flood, it’s become obvious that nature is retaliating against mankind’s environmental unfriendly ways.
As one who’s spent her lifetime at the New Jersey coast, I’ve witnessed the rising seas. It’s subtle, at first. As a kid in the second half of the last century, I roamed the wide beaches, chasing seagulls and digging up clams. Our beach’s jetty stretched far out into the waves, ending in a massive pile of black mussel-covered rocks. During low tide, I could walk out behind those rocks. Even after a destructive hurricane, the beach might have been ravaged, but there was plenty of sand to place a blanket and enjoy the rough surf.
Occasionally, during a pounding thunderstorm or unusually high tide, water would back up by the storm drains. We’d use these as excuses to splash around, jumping off the curb and into the puddles. Nor’easters and hurricanes flooded the roadway and sometimes the garage, but usually the water went down fairly quickly. But as the century advanced, the beach retreated.
Skip to today. Superstorm Sandy wreaked havoc with the island I grew up on and wiped out the beach, taking with it a few houses built on dunes that shouldn’t have been placed there. Surprising? Shocking? Well, yes, but no. Over the years, I’ve watched the shore disappear, growing shorter and shorter with each tide. That jetty and rocks that provided hours of entertainment buried itself under the sand. The streets flooded and became impassible with every rainstorm and high tide. One nearby restaurant posted a sign, “Occasional Waterfront Dining” because the street in front of it developed a sizable pond twice a day, as water backed up from the storm drain each high tide. That’s also how we knew the tide came in without ever going up to the beach.
It only gets worse with each storm. A major rebuilding of the beach, including jetty removal and berm construction, will only temporarily halt the rising seas. In the past, though storms took away the sand, in time the ocean swept it back towards the beach. That natural flow has ceased. Now, outraged citizens demand that something be done to halt nature. Little do they realize that’s impossible.
What’s even more fantastical about all this is the utter denial about what’s really happening. More and more houses are going up on this island without regard to the slow destructive forces overtaking it. Those looking for a place to relax during summer weekends and perhaps a nice place to stay over the off-season holidays refuse to acknowledge, or even notice, what’s going down. “It’s so beautiful,” says many a shoregoer. And yes, I’d agree. But not for much longer.
Sometimes it seems as if I’m part of a “Twilight Zone” episode, where a concerned citizen shouts to the crowd about the impending danger awaiting them, only to be at first ignored and then vindicated. Building houses on the coast will not stop anytime soon.
Neither will the rising seas.
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Moon, Stars and Beyond 