Archive for the ‘Writer’s Life’ Tag

Rough Passages   Leave a comment

I’ve lost track the amount of times I’ve rewritten passages in my manuscript. I slave, I toil, I backspace…only to create something that’s not quite there, yet. It’s as if I’m skipping through daisies, only to fall in a wet, steaming pile of cow plop.

Ugh. I know.

Beta readers all love my story. An actual librarian thought it was terrific. So did an editor. Even someone working in a related industry praised my work. Talk about confidence building. Surely my words are all that…

…or not.

For a great perspective, compare sending out your manuscript to dating. There’s this terrific person, filled with depth and action, with a healthy splattering of romance tucked inside, seeking to meet that perfect partner. After meticulous grooming, advice from friends and lively rehearsals in front of the bathroom mirror, it’s time to face the scene. Step out and seek. Shake a few hands, make introductions, even sip cocktails. Hearts beat faster, breath quickens, a few beads of sweat pearl up around the hairline. A card is passed along, hopeful wishes and tempered optimism dare blossom in one’s heart.

Days pass.

Nothing occurs, not even a text.

Your worst fears are realized, in the form of rejection. It might be that your hopes drowned in a vast pit of slush piles, or forgotten email attachments, or ignored – ghosted – and forgotten. It’s as if that spiffy new dress or snappy hairstyle did nothing to convince Mr./Ms./Mx. Prospect you’re perfect. Great, even.

So what was it you did? What did I say? Or not say? Or do? In the dark of the night, as you ponder for the billionth time, nerves fray and frustration builds. Your abilities feel as if they’ve drifted out to space.

Some might even give up altogether.

Well, look. No one’s perfect. Not even geniuses get it right on the first try.

Sometimes a writer gets too close to the manuscript and perspective skews. Or too many people have said too many contrasting things and you, the writer, can’t figure out what to do any more. The story’s muddled, the characters are unlikable, the plot’s unrealistic, the dialogue’s way too formal.

So here’s a suggestion: seek professional advice.

I’m not saying go out and find a book doctor. Sure, they might help put your story back on track, but they’re expensive and offer no guarantees.

Instead, seek out an honest-to-goodness writer’s group. There are many, but not all have professional writers with published works at major houses (and before you say anything, self-publishing doesn’t always count). Attend workshops they hold. There, you’ll be shown how to strengthen your skills on a variety of topics, from developing compelling characters, shoring up a sagging middle or crafting a dynamic opening line. See if they have a critiquing group where your work can get an honest evaluation. Maybe even a member might be willing to give your manuscript a thorough review. Tell you all about the rough passages and plot lines.

Writer’s groups often meet at libraries, book stores or other public places. Next time you venture into one of these places, don’t hesitate to ask.

Search the web for writers’ conferences. There are many, but legitimate writer’s conferences don’t charge thousands of dollars and promise that your book will be published. A typical writer’s conference will be held in a hotel, with representatives from industry leaders, such as literary agencies and publishers. There’s a roster of known authors attending who’ll give workshops on skill development.

Here’s a great place to start: Publishing and Other Forms of Insanity.  It’s a terrific blog filled with all sorts of links, contacts, industry news and conferences. Bookmark it. Check it often.

And most important of all, have faith. After slogging through all those rough passages, you might just discover how to sail through smooth seas. Besides, you never know…you might meet a great date!

 

The Takeaway   Leave a comment

Jennifer Armentrout

Last weekend I attended the Liberty States Fiction Writers conference. As always, it was a splendid affair, full of other writers and readers eager to meet old friends, make new acquaintances, freshen up skills and even make a few pitches to agents and editors. I managed to do all of the above, and more.

Perhaps what influenced me the most was the above speaker – Jennifer Armentrout. She’s widely known as a Young Adult and New Adult writer, but one glance at her list of books reveals her prolific ability to write just about anything. Ms. Armentrout was the keynote speaker on Saturday, delivering one of the memorable speeches I’ve ever heard.

Jennifer Armentrout delivering the keynote speech at the LSFW Writers Conference

After listening to her, it wasn’t difficult to understand why she writes as much as she does. Sure, she loves her craft. Has a fantastic imagination. Can spin tales out of nothingness and make them live in universes not quite explored by others. But that’s not what hooked me. It’s what she does: take risks.

Anyone in a creative field has to either take risks or quit. It’s not a wimpy business for sissies, no way. Although there’s plenty of self-doubt to paint the Sistine Chapel over and again, one learns quickly that if one keeps that up, one’s going nowhere in the publishing world. Yeah, in drearier moods I count myself among the talentless and weak. And sure, who doesn’t need the occasional pat-on-the-back to be reminded that your prose is worth reading?

Jennifer won’t have it. She’s got books to write. Amazingly, she’s stuck with the same agent for her entire career, but she’s taken some incredible risks. Taken offers from publishers who might not have paid her what another would, but offered her greater freedom for her creativity. Not afraid to tackle a subject she knows little about. Maybe even try self-publishing and see what happens. At any rate, she sits down in front of her computer and composes her works for eight hours every day. Sometimes more. But she has to. It’s part of her, to dream, to create, to write.

Perhaps the most powerful engine driving her is a simple matter of her health. At a routine eye exam, it was discovered  she has retinitis pigmentosa, or RP. It’s the gradual withdrawal of one’s ability to see. It’s a cruel disease. As it progresses, the peripheral vision fades, resulting in ever-increasing tunnel vision, until the curtains close forever. There is no cure. At the present time, her vision is still with her, although her peripheral vision is fading.

No one can predict when or how long her vision will last, but Jennifer isn’t waiting for the lights to dim forever. She’s got stories to tell. She’s not waiting for blindness to set in. She doesn’t feel sorry for herself, nor does she expect anyone else to. So there she is, eight hours a day, writing like there’s no tomorrow, taking risks, and nothing will ever stop her.

It gave me a whole new perspective on not only writing, but life. We are put here on earth to succeed. If we don’t, we’ll fade. Why should I let anything hold me back from trying my very best to endure? Aren’t my words worth the risk?

Why, indeed?

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